
 |
| Created by Flex Your Rights and narrated by retired ACLU director Ira Glasser, BUSTED realistically depicts the pressure and confusion of common police encounters. In an entertaining and revealing manner, BUSTED illustrates the right and wrong ways to handle different police encounters and pays special attention to demonstrating how you, the viewer, can courteously and confidently refuse police searches. |

 |
| THE CORPORATION explores the nature and spectacular rise of the dominant institution of our time. Footage from pop culture, advertising, TV ... all » news, and corporate propaganda, illuminates the corporation's grip on our lives. Taking its legal status as a "person" to its logical conclusion, the film puts the corporation on the psychiatrist's couch to ask "What kind of person is it?" Provoking, witty, sweepingly informative, The Corporation includes forty interviews with corporate insiders and critics - including Milton Friedman, Noam Chomsky, Naomi Klein, and Michael Moore - plus true confessions, case studies and strategies for change. |

 |
| EARTHLINGS is a feature length documentary about humanity's absolute dependence on animals (for pets, food, clothing, entertainment, and scientific research) but also illustrates our complete disrespect for these so-called "non-human providers." The film is narrated by Academy Award nominee Joaquin Phoenix (WALK THE LINE, GLADIATOR) and features music by the critically acclaimed platinum artist Moby.
|

 |
| Jesus Camp follows several young children as they prepare to attend a summer camp where the kids will get their daily dose of evangelical Christianity. Becky Fischer works at the camp, which is named Kids on Fire. Through interviews with Fischer, the children, and others, Jesus Camp illustrates the unswerving belief of the faithful. A housewife and homeschooling mother tells her son that creationism has all the answers. Footage from inside the camp shows young children weeping and wailing as they promise to stop their sinning. Child after child is driven to tears. Juxtapose these scenes with clips from a more moderate Christian radio host (who is appalled by such tactics), and Jesus Camp seems to pose a clear question: are these children being brainwashed? |

 |
| Manufacturing Consent: Noam Chomsky and the Media (1992) is a documentary film that explores the political life and ideas of Noam Chomsky, a linguist, intellectual, and political activist. Created by two Canadian independent filmmakers, Mark Achbar and Peter Wintonick, it expands on the ideas of Chomsky's earlier book, Manufacturing Consent: The Political Economy of the Mass Media, which he co-wrote with Edward S. Herman.
The film presents and illustrates Chomsky's and Herman's propaganda model, the thesis that corporate media, as profit-driven institutions, tend to serve and further the agendas of the interests of dominant, elite groups in the society. A centerpiece of the film is a long examination into the history of The New York Times's coverage of Indonesia's invasion and occupation of East Timor, which Chomsky claims exemplifies the media's unwillingness to criticize an ally. |

 |
 | Martial Law 9/11: Rise of the Police State is a riveting documentary. Interlaced with news footage and web articles, Alex follows the paths of those men of influence, the frameworkers of the New World Order. Exposing the Neo-Con movement by documenting the Republican National Convention, and chronicling the phony war on terror, this movie stretches the boundaries between what should be said, and what must be heard |

| | Outfoxed: Rupert Murdoch's War on Journalism,' a brilliant documentary by director Robert Greenwald, does a wonderful job at chronicling how the network misrepresents facts, manufactures terror and slanders liberals and adulates the President, all with the sole purpose of advancing its right-wing agenda. The film uncovers daily internal memos that outline conservative talking points, nonconformists that are threatened with their jobs and correspondents that often do not even pretend to be impartial. |

   

| | The God Delusion explores the unproven beliefs that are treated as factual by many religions and the extremes to which some followers have taken them. Dawkins opens the programme by describing the "would-be murderers . . . who want to kill you and me, and themselves, because they're motivated by what they think is the highest ideal." Dawkins argues that "the process of non-thinking called faith" is not a way of understanding the world, but instead stands in fundamental opposition to modern science and the scientific method, and is divisive and dangerous. |

| | Documentary look at health care in the United States as provided by profit-oriented health maintenance organizations (HMOs) compared to free, universal care in Canada, the U.K., and France. Moore contrasts U.S. media reports on Canadian care with the experiences of Canadians in hospitals and clinics there. He interviews patients and doctors in the U.K. about cost, quality, and salaries. He examines why Nixon promoted HMOs in 1971, and why the Clintons' reform effort failed in the 1990s. He talks to U.S. ex-pats in Paris about French services, and he takes three 9/11 clean-up volunteers, who developed respiratory problems, to Cuba for care. He asks of Americans, "Who are we?" |

| | Why are Americans so fat? Two words: fast food. What would happen if you ate nothing but fast food for an entire month? Filmmaker Morgan Spurlock does just that and embarks on the most perilous journey of his life. The rules? For 30 days he can't eat or drink anything that isn't on McDonald's menu; he must wolf three squares a day; he must consume everything on the menu at least once and supersize his meal if asked. Spurlock treks across the country interviewing a host of experts on fast food and an equal number of regular folk while chowing down at the Golden Arches. Spurlock's grueling drive-through diet spirals him into a physical and emotional metamorphosis that will make you think twice about picking up another Big Mac. |

 |
| WAL-MART: THE HIGH COST OF LOW PRICES is a feature length documentary that uncovers a retail giant's assault on families and American values.
The film dives into the deeply personal stories and everyday lives of families and communities struggling to fight a goliath. A working mother is forced to turn to public assistance to provide healthcare for her two small children. A Missouri family loses its business after Wal-Mart is given over $2 million to open its doors down the road. A mayor struggles to equip his first responders after Wal-Mart pulls out and relocates just outside the city limits. A community in California unites, takes on the giant, and wins! |

 |
| In the 1960s and 1970s, the polarization of the political situation of the USA was becoming acute with the Vietnam War abroad and civil rights at home being but the most obvious issues. For the youth political movement, the seemingly ineffectual methods of peaceful protest and resistance led to the rise of an idealistic faction that want a more extreme approach that the Establishment could not ignore. This faction, called the Weather Underground, attempted to team up with the Black Panthers to violently confront the US government that started with street riots and escalating to bombing government targets. Thorough archival footage and interviews of the veterans of both sides of this conflict, this film covers the resistance movement's campaign of selective violence through this period until changing times and disillusionment brought it to an end while the FBI used unethical and illegal methods to hasten it. |

| | "The Greatest Story Ever Told"
This section explores the little known ... all » foundations of the Cult of Equinoctial Christolatry (Christianity) which, unannounced to most, rests in the astrotheological belief systems of the ancient world.The complete source list for the film can be found @ Zeitgeistmovie.com |
|